Glaze effects guide

Slow cooling for glaze effects

Slow cooling holds the kiln back through the 1900 to 1400 F window so micro-crystals have time to grow in the glaze. That controlled cooling is what turns a flat glossy surface into a soft matte, a satin, or a mottled crystalline finish, especially with iron, rutile, or calcium in the recipe.

A satin matte ceramic bowl with a mottled crystalline surface on a studio table, warm kiln glow behind
A controlled cool through the crystal-growth window gives a glaze its matte, mottled surface.

Why does cooling speed change a glaze?

A molten glaze is a liquid at peak. How fast it freezes on the way down decides whether crystals form inside it. Cool fast and the glaze locks into a smooth glassy surface. Cool slowly through the right window and tiny crystals grow, scattering light and turning the surface matte, satin, or mottled. The peak temperature sets maturity, but the cooling sets the look.

The crystals that make a satin or matte surface mostly grow between about 1900 F and 1400 F (1038 to 760 C). Holding the kiln back through that band, often near 150 F per hour or slower, is what gives micro-crystals time to form.

Source: Ceramic Arts Network, Super Cool: Slow Cooling in an Electric Kiln (ceramicartsnetwork.org).

What does a slow cool schedule look like?

You fire your normal glaze program to the cone, then add a controlled cooling segment instead of letting the kiln free-fall. The example below sits on top of a standard cone 6 firing. It is a starting point, not a fixed recipe, so test it on tiles for your glazes first.

A controlled slow cool added after a cone 6 peak. Targets in Fahrenheit. Glazes vary, so test on tiles before a full load.
StepRateTo targetEffect
Peak120 F/hr up2232 FMature cone 6, short hold
Fast drop~999 F/hr down1900 FSkip past the glassy zone
Slow cool100 to 150 F/hr down1400 FGrow matte and satin crystals
Free falloffroom tempKiln cools on its own

Which glazes respond to a slow cool?

Reactive glazes gain the most. Recipes high in iron, rutile, titanium, or calcium develop visible crystals and variegation when cooled slowly, which is why kiln makers added a slow-cool option to cone-fire mode. Bright glossy glazes and many commercial dipping glazes can lose their shine on a slow cool, so check the maker note before you commit a full kiln. True crystalline glazes go further still, with long holds in the growth window to grow large visible crystals.

How to add it to your firing

Build the standard glaze firing first, then program the extra cooling segments. The cone 6 glaze schedule guide gives the base program, and the how schedules work guide explains negative-rate cooling segments. When you set the firing in the schedule builder, you can pick a slow cool and it prints the full ramp, hold, and cooling sheet together.

Sources

  • Ceramic Arts Network, Super Cool: Slow Cooling in an Electric Kiln (ceramicartsnetwork.org).
  • Digitalfire firing schedule and crystalline glaze references (digitalfire.com).
  • The Ceramic Shop, crystalline glaze guide (theceramicshop.com).

Build a slow cool schedule

Set your cone and add a controlled cool, then print the full firing sheet free.

Open the builder

Frequently asked questions

What does slow cooling do to a glaze?

Slow cooling holds the kiln back through roughly 1900 to 1400 F so micro-crystals have time to grow in the glaze. That crystal growth softens a glossy surface into a matte or satin, and can bring out mottling and variegation. Glazes high in iron, rutile, titanium, or calcium respond the most.

What cooling rate should I use for matte glazes?

A common controlled cool drops at about 100 to 150 F per hour from peak down to around 1400 F, then lets the kiln free-fall. Some potters go as slow as 50 F per hour for stronger crystal growth. Faster than about 200 F per hour and the same glaze often comes out glossier, because crystals never form.

Does slow cooling work in an electric kiln?

Yes. Most modern controllers let you program negative-rate segments, so you set a cooling ramp the same way you set a heating one. An older or well-insulated kiln may cool slower than you ask near the bottom, so add a witness cone and adjust until the surface looks right.

Can slow cooling cause problems?

It can. A long soak in the crystal-growth window can dull or stiffen some glossy glazes you wanted shiny, and it adds hours to the firing. Slow cooling also keeps the load hot longer, so plan for a later unload. Test on a few tiles before you commit a full kiln.